BIOGRAPHICAL NOTE: Eliot Porter (1901–1990) set the standard for contemporary color nature photography. In 1939, he forsook a burgeoning career in biochemistry to turn full-time to artistic photography, spurred on by a successful one-person exhibition of his work at Alfred Stieglitz's renowned An American Place gallery. Initially, Porter concentrated mainly on photographing birds in close-up, seeking to improve by example the quality of ornithological photography. When his highly regarded bird photographs were turned down for publication because they were not in color, making the birds sometimes difficult to distinguish, he taught himself the new dye transfer color printing process, becoming one of the first artist photographers to devote himself full time to color. Quickly, he gained two Guggenheim Foundation grants in support of that pioneering work.

Through the 1940s and 1950s, Porter was best known as a bird photographer. However, he had never given up his interest in depicting his broader surroundings, and by the mid-fifties he was focusing increasingly on nature's colorful details, taking advantage of the dye transfer process's exceptional color control to explore the nuance and emotional resonance of the natural world. That work came to fruition in 1962 with the Sierra Club's publication of his immensely successful book, In Wildness Is the Preservation of the World. Porter astutely built on that success, going on to publish a book of his photographs almost every year through the rest of his life. Many of these books, comprised of Porter's finely printed images intermixed with texts by Porter himself or his associates, provided ecologically informed portraits of threatened places. Late in his career Porter increasingly focused on broader issues of human history and culture through studies of Greece, Iceland, Africa, and China.

His work also has been published in numerous portfolios and a retrospective catalogue, Eliot Porter, published by the Amon Carter Museum in 1987.